![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQ1MRaAhFgGwtL17hQEjD4k2S9wOby6_bJ1EQFhSJhfUfGLghuNzTsCVbu1Ag82a0bin6mLGG9ggdv5PSNjbol76f8PyBc6a1-uvonP4QyVNrr1VYWPH_CDLovkEYETF3o3fTP/s400/images.jpeg)
What a semester...seriously.
I hate sometimes that I'm occupationally forced to think in terms of semesters--makes me feel like I'm in the 37th grade or something--but alas it works. It's been a doosey. A lot of writing, an overwhelming amount of teaching, a personal life not without it's ups and downs (mostly ups) and several long, onerous articles written. But I'm happy to say the tunnel is festooned with a light at the end--at least a little.
Of course, blogging is always the first thing to go (especially since I write elsewhere) but I have made a New Year's Resolution (it is always a new year somewhere, right?) to be more vigilant. I like Felsenmusick, and hate frustrating readers.
Here's a query for you both, then: can music--not the topic of the lyrics, not the images it accompanies, but the actual pitches and rhythms that make up a score--be "dangerous"? There's a reason I'm asking--any thoughts?