Barber with a Beat
Who knew the Adagio for Strings had such a following? Apparently Johanna Keller did, and wrote about it in The New York Times. It's an interesting cultural phenomenon, the impact of this piece, and I think she absolutely nails the accross-the-board appeal of the work. To quibble, of course I wish Marin Alsop, Orlando Cole and the Ying Quartet had been a little more front-and-center in the piece, but I get the "Appeal to the Youth" aspect of this article.
And I wish Samuel Barber a Happy 100th--it's coming up on Tuesday. Maybe we can all celebrate by listening to his other works as well? And I'll be sitting here, longing for the day when the Piano Sonata, Cello Sonata, or the Second Essay for Orchestra are lined up for their respective remixes. In fact, I dare someone...
And I wish Samuel Barber a Happy 100th--it's coming up on Tuesday. Maybe we can all celebrate by listening to his other works as well? And I'll be sitting here, longing for the day when the Piano Sonata, Cello Sonata, or the Second Essay for Orchestra are lined up for their respective remixes. In fact, I dare someone...
As a side note, I am also glad the Army has seen fit to honor Barber as well.
3 Comments:
My honest critique:
Your works are no better than those of Aaron Copeland, and are perhaps plagiaistic of his work.
Go ahead, delete my comment, I will never return here anyway.
If you feel compelled to come here and write such a broad (and untrue) comment, why not add your name? Otherwise your comment means little.
And if you say I am "no better" than Copland (no "e") I'll take that--he was and is a great composer.
Please, go find a better use for your time.
Wow, I hope it works out for them....
They should hear that Eugene Christopher guy before they say stuff like that.
Post a Comment
<< Home